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Design Milk’s Friday Five profile explores how Bram Vanderbeke translated Lore Van Keer’s Anthology jewelry into a sculptural concrete-and-aluminum side table/stool. The limited-edition piece draws on stacked geometric forms, architectural references and Vanderbeke’s interest in Roman ruins.
Designer Bram Vanderbeke has described how ancient ruins, architecture and jewelry informed the Anthology Side Table/Stool, a limited-edition collaboration with Belgian jeweler Lore Van Keer. In a Friday Five interview published by Design Milk, Vanderbeke explained how he translated shapes from Van Keer’s Anthology collection into a sculptural piece made from cast concrete and aluminum.
The collaboration, identified as the LVK x BV collection, pairs a silver necklace with the furniture piece. According to Design Milk, the necklace is limited to 20 editions and the stool/table to eight. The furniture piece is handcrafted in Vanderbeke’s Belgian atelier and made to order. Each one uses a new mold, which means the resulting pieces are unique, the report says. It is designed for indoor or outdoor use.
Van Keer’s Anthology 10 ring was a direct reference point. Vanderbeke said the collection’s stacked forms and its use of circles and hexagons prompted him to develop a three-dimensional composition. Alternating layers of concrete and aluminum shape the final object, bringing the jewelry’s geometry into a different scale and material.
Vanderbeke also drew inspiration from architect and artist Isamu Noguchi. Design Milk reports that he consulted Noguchi’s book A Sculptor’s World, which includes material about the ceiling and waterfall Noguchi designed for the lobby of 666 Fifth Avenue in New York. Vanderbeke was interested in the ceiling’s layered aluminum and carried a related layered approach into the stool/table. He also cited Roman columns, excavations and ruins, along with his own Cast Bricks work.
From Jewelry to Functional Sculpture
The collaboration offers a specific example of how collectible design can move ideas across disciplines: a jeweler’s ring becomes a prompt for furniture, while references to architecture and building materials shape the object’s construction. The result is not simply a change in scale. The table/stool uses the stacked geometry associated with Van Keer’s jewelry as a framework for a tactile composition in concrete and aluminum.
For readers following contemporary design, the project also shows how Vanderbeke connects form and making. The use of a new mold for each piece means the limited series does not produce identical results, according to the report. Its made-to-order production and indoor-or-outdoor design are practical details alongside its artistic references. The source does not provide pricing, delivery times or further specifications, so those points cannot be assessed from the interview.
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Vanderbeke’s Material and Architectural References
Vanderbeke grew up wanting to become a bricklayer and studied woodwork and construction before pursuing design. He studied at the Royal Academy of Fine Arts in Ghent and graduated from Design Academy Eindhoven. Design Milk describes his practice as an exploration of how objects relate to architectural settings and their users, with attention to raw materials, form and function.
He has cited Insel Hombroich, a museum and sculpture park in Neuss, Germany, as an influence. In the interview, he recalled returning in different seasons and seeing how changes in the landscape affected his experience of the place. He also spoke about growing up in hardcore punk, a subculture he associated with DIY shows and close community. Vanderbeke said its do-it-yourself ethos resonates with his own approach to making work.
His earlier Cast Bricks collection is another link to the Anthology piece. Design Milk says the Brick Chair uses arranged bricks to create negative spaces that serve as molds for architectural furniture. The method recalls construction foundations and connects to Vanderbeke’s early interest in bricklaying. The report also notes his participation in Cavea, a group exhibition organized by Brut Collective and DesignUnDisciplined, and other recent design projects.
“I just loved how architecture, art, and nature can merge so well with each other.”
— Bram Vanderbeke, speaking to Design Milk
Details the Interview Leaves Open
The interview gives no price, ordering deadline, delivery estimate or exact dimensions for the Anthology Side Table/Stool. It also does not detail care instructions or explain how the piece performs outdoors over time. The source describes the series as limited to eight pieces and made to order, but does not state whether any pieces remain available.
The account of the work’s influences comes from Vanderbeke and Design Milk’s reporting. The material provided does not include independent technical testing or additional comments from Van Keer about the collaboration. It is also unclear whether the partners plan further pieces together or whether the LVK x BV collection will expand beyond the reported necklace and stool/table.
Availability and Further Collection News
The piece is described as made to order, but Design Milk’s report does not give a schedule for orders, production or delivery. Readers interested in purchasing it would need to seek current availability and terms from the designers or their representatives; the source does not identify a sales channel.
No future release or follow-up project is announced in the interview. The next confirmed development is therefore limited to the collaboration as described: a small edition of the Anthology Side Table/Stool, alongside the silver necklace. Any additional collection news, availability changes or production details remain unreported in the supplied source.
Key Questions
What is the Anthology Side Table/Stool?
It is a sculptural side table/stool designed by Bram Vanderbeke in collaboration with Belgian jeweler Lore Van Keer. It combines alternating layers of cast concrete and aluminum.
What inspired its design?
Vanderbeke translated the stacked geometry of Van Keer’s Anthology jewelry, particularly the Anthology 10 ring, into furniture. He also cited Noguchi’s architectural work, Roman columns and ruins, and elements of his own Cast Bricks collection.
How many pieces are being made?
Design Milk reports an edition of eight stool/table pieces and 20 silver necklaces in the LVK x BV collection. The report does not say whether any are still available.
Is the piece suitable for outdoor use?
The report says it is designed for indoor or outdoor use. It does not provide further guidance on weather exposure, maintenance or care.
Can buyers find pricing or delivery information in the report?
No. The Design Milk feature describes the stool/table as made to order but does not include a price, ordering deadline or delivery estimate.
Source: design-milk.com
